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> Get Articles > Copywriting > SOME COPY TIPS FROM AN OLD HAND
SOME COPY TIPS FROM AN OLD HAND
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Patrick Quinn
j.pmarkethillpublishing.co.uk
Word Power III
http://www.wordpower3.com
I have been in the ad game for a long, long time. I have trained hundreds of
writers, and I've been responsible for shifting $ millions in product worldwide.
Here are just a few tips that I hope will help you do a better job, and make a
bigger name for yourself.
One.
Whatever copy job you are working on - brochure, mailer, sales letter, press
ad - always include a headline. A pertinent headline. A selling headline.
This headline will be, or should be, powerful enough or intriguing enough to
draw your target into the compass of the body copy. If it can do that, you are
on a winner.
To put it simply, your headline should be a snapshot of your sales message
- a précis of your offer or promise. In other words, a headline that says: Buy
this product and get this benefit.
Two.
Always remember, people don't buy products, they buy the benefits of
owning those products. A man doesn't buy a sportscar because it is
precision engineered or aesthetically designed. He buys it because of the
ego-boost it gives him. It shows the world that he has made it.
Likewise, a woman doesn't by a cocktail dress by Camille of Paris simply
because of the cut or the exquisite stitching. She buys it for the cachet that is
attached to the label. She would probably look as good in a dress from a
High Street department store, but she wouldn't feel as good. And that's the
benefit.
Three.
Around 30% of all copy headlines are both useless and irrelevant. The worst
of them often take the form of puns or are re-workings of current film titles or
song titles. Puns are fine if they are appropriate, which they seldom are. And
the writer who tries to demonstrate how cool he is by working his product
message into a film or song title is usually doing a lot for the sales of movie
tickets and CDs, but very little for his client.
The moral is this. State your sales proposition cleverly, wittily, stridently or
emotively, but never ever employ a device simply because it's the easy thing
to do. If you can't be original, at least be positive.
Four.
If it doesn't quack, it ain't a duck. And if your copy doesn't make some kind of
selling proposition, it isn't advertising - it's an announcement. So many
writers these days fail to understand that copy is nothing more than
salesmanship in print. They play with words for the sake of playing with
words. They lose sight of the fact that they should be trying to sell
something. Thus, copy must use the psychology of the salesman; and it
must say, right up front: Here's what's in it for you.
Five.
Always be a little circumspect about experts who try to tell you how to write
better copy. And that includes me. Meantime, however, you'll do no better
than visit http://www.wordpower3.com There, you'll find just about every
promotional word and phrase you'll ever need.
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