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> Get Articles > Ebooks and Ebook Writing > Print Publishing vs Electronic Publishing

Print Publishing vs Electronic Publishing


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Michael LaRocca
michaellaroccalycos.com

Books OnLine Newsletter
http://groups.yahoo.com/group/michaellarocca


Print Publishing vs Electronic Publishing

Copyright 2001, Michael LaRocca



(1410 words. This article may be freely published or distributed

as long as the author's information at the bottom remains intact.

If you use it, please notify michaellaroccalycos.com.)



Actually, "versus" isn't the best word. The two mediums are

different, but they're not mutually exclusive. Meaning, you can

publish the same book in both mediums. In fact, that's my goal.

Each attracts a different group of readers and I want all the

readers I can get.



If you're not familiar with electronic publishing (epublishing),

visit http://www.closetohome.org/about%20e-books.htm for a quick

definition.



But the best way to learn about epublishing is to buy some

ebooks. If, like me, you don't want to read a book on your

computer, print it. It's still cheaper than a paperback, and you

can recycle paper and ink cartridge when you're done. And, by the

way, print on both sides. It's better for the environment.



Breaking into the traditional print market is my ultimate goal,

because it has so many more readers. However, it is also more

difficult. They prefer the safe bets. This means, something like

what they've done before. What they can easily place in the

bookstore chains. They invest an advertising budget, and the cost

of carrying a print inventory, in every new author they accept.

In four out of every five cases, they lose money. Thus they are

cautious. That is simply good business sense. Remember, writing

is a calling, but publishing is a business.



When I write, I write for me. An idea grabs me and won't leave me

alone until I write about it, so I do. Later, I think of "target

audience" and such. I presume most of us do that. I don't believe

it's possible to write "for the market" because you'll fail, or

it'll be bad writing, or both. That simple reality can make

"marketing" a challenge.



With epublishing, the business model is different. They don't

carry a physical inventory. Their advertising doesn't cost much

money, but rather time. Also, they will invest editing time.

Print publishers won't do that for a new author.



The epublishers will edit because they have a credibility

problem. They're new. A print publisher wants to receive a

manuscript from a new author that is "ready to read." Meaning, no

editing. If you work with a respectable epublisher first, your

manuscript will be ready to read.



Fringe benefits of epublishing include publication within six

months of acceptance, as opposed to the usual two years of print

publishing, and the fact that you'll get instant feedback from

readers. That's good for your ego.



It's always in an epublisher's best interest to publish as many

manuscripts as possible. Quality manuscripts, of the type that

bring a reader back to buy more. As an author, your goal is to

find an epublisher who publishes something along the lines of

what you write.



How to find such a place? How to find an epublisher that is

reputable, not just some glorified vanity press that accepts

anything and everything and doesn't have enough pride to edit

worth a damn?



As I say, it's a new medium. You'll find the new and the

different, the books that should be in print but aren't. As the

market tries to sort itself out, you'll also find a bunch of

losers publishing garbage who are wholly unworthy of the name

"publisher."



Just like Mercedes still thrives but Yugo is a distant memory, so

will the epublisher market sort itself out into winners and

losers. There are no voodoo economics on the Internet, no

mystical unfathomable reason for dotcom crashes. Those who are

set up on a sound business model -- deliver a quality product and

ensure that revenue exceeds expenses -- always survive. As for

the rest, their collapses are no big loss to any of us.



I can recommend two websites to help you find the quality

epublishers. The first is by sci-fi legend Piers Anthony, and

it's at http://www.hipiers.com/publishing.html . He's gone out of

his way to identify and analyze the good, the bad and the ugly.



http://free_reads.tripod.com/onlinefictionbooks.html is my site.

Basically, it's where I keep a list of the ones I believe are

good, to refer to whenever I finish writing a new book. At the

bottom of this article I will list my criteria.



The selection process for epublishers is the same as for print

publishers. Look at the services they provide. Make sure they're

all free -- authors don't pay to be published. Look at what

they're publishing. Read a book or two and be sure you approve of

their presentation, editing, price, customer service, etc.



Some otherwise fantastic epublishers may have a clause in their

contract saying you can't submit the "edited" manuscript to

anyone else. That, of course, defeats the whole purpose of my

"stepping stone" approach, so look out for that.



It's possible you've written a fantastic manuscript that, for

some reason, will never make it to a traditional print publisher.

Be honest. One of mine, an EPPIE 2002 finalist, is simply too

short. Another is an acclaimed short story collection, but it's

utterly impossible for an unknown to sell a short story

collection. If you find yourself in a similar situation, you may

be thinking Print-On-Demand. I am.



If you're not familiar with Print-On-Demand (POD), a quick visit

to http://free_reads.tripod.com/printondemand.html will fix that.

If you choose to go that route, epublishing becomes crucial, for

the editing. POD publishers never provide editing, and they

really will publish anything. Think of a POD publisher not as a

publisher, but as a print shop.



Ideally, you can find an epublisher who will simultaneously

publish your book in a POD format with no setup fees. This will

allow you to direct all your marketing efforts after the sale at

bringing people to the same URL. Several such epublisher/POD

operations are on my list at the website mentioned above.



Regardless of how you choose to ultimately publish - traditional

print or POD -- I recommend epublishing first. You'll work with

professional editors, free of charge, and you'll sell a few dozen

or a few hundred copies of your book. Then, with a renewed sense

of confidence and some idea of what to expect, you can approach a

print publisher with the magic words "professionally edited

manuscript."



MY CRITERIA FOR EPUBLISHERS



* Authors do not pay to get published. They are paid for the

privilege.



* The only thing the epublishers sells is books. No editorial

services, no packaging fees, no marketing fees, no artwork fees.

(Selling eBook readers is okay, however, so long as the books

themselves don't require one to read them. Meaning, HTML and/or

PDF must be available formats.)



* Free editorial service is a must. If the publisher's going to

put his name on my book, and he's not proud enough of his name to

make sure the e-book is done right, screw him. He won't last very

long as a bookseller anyway.



* The web site must look professional. Meaning? I have to like

it. Fast, good-looking, professional, designed so the reader can

see the titles or the appropriate menu option right there on the

first screen of the home page. No busted links. No missing

artwork. No pop-ups. No big hype about their publishing services

plastered all over the front page, while the potential reader has

to hunt for what he wants.



* There can be no typos. Not a damn one. I saw one site with

typos in their ad for "editorial services for a reasonable fee."

You know what they can kiss.



* Hit counters can lie. But if they have one, I'd better see more

than 47 hits. Trust me -- there is such a place. But they aren't

listed on my website.



* If their site spends a great deal of effort advertising some

contest that closed in April 2000, screw em. Keep the place

up-to-date, please.



* They must accept e-mail submissions. I live in Hong Kong. I'm

not mailing anything to the US except a signed contract and

possibly a disk along with it. Furthermore, this shows they're

serious about using the Internet. What kind of epublisher wants

you to use paper?



* Promoting your book. Okay, now you're published. Great! But

what will this publisher do after it's all said and done to make

sure your potential readers know you exist? If the epub promotes

itself and you promote yourself, that's fine. If the epub

promotes both itself and you, that's even better. An epub with

distribution channels such as Amazon, B&N, Gemstar is also

excellent, as odds are you can't afford to do that part yourself.





















Michael LaRocca is the author of four published novels and an

EPPIE 2002 Award finalist. He is an American living in Asia,

and he's been a full-time author and editor since December 1999.

His website is designed to help you find the best free & low-cost

quality reads, and to help you improve/publish/promote your own

writing free and avoid scams. http://free_reads.tripod.com





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